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London’s Daily Telegraph wrote, “Kyle Riabko is Outrageously Talented,” with The New York Times writing, “Riabko searches out the emotional layers of the songs with impressive precision," and New York Magazine calling Riabko “a wonderfully appealing star." Burt Bacharach himself said of Riabko, “Kyle has done something truly unique with my music.He’s a beautiful singer and one hell of a guitar player.” Riabko previously appeared on Broadway in both “Spring Awakening” and “Hair”, and in his teen years, recorded an album of original material for Sony/Aware and performed as an opening act for such artists as BB King, James Brown, John Mayer, Keb Mo, Jason Mraz, and Maroon 5, among others.CLOSE TO YOU: BACHARACH REIMAGINED comes complete with Bacharach’s official blessing, the great man himself declaring: “It’s a love letter and truly unique.at the Menier Chocolate Factory in 2015 before transferring to the Criterion in Piccadilly, although its origins date back to a chance meeting between Bacharach and a young guitarist Kyle Riabko in a Santa Monica recording studio in 2010.She’s using him as a crutch again, and he’s put in a position between Ade and Silver trying to be the good guy.Ade and Navid have a strong history, but she’s been so self-absorbed and hasn’t been there for Navid at all.“They decide to keep their relationship a secret because Ade’s career is spiraling and she’s losing her mind a little,” Michael Steger explains.
brings his extraordinary Bacharach arrangements to Joe’s Pub for a solo concert and album launch of The Original London Cast Recording, now available on Ghostlight Records.Also included are the original 11 demo recordings that Riabko first created on his home studio – “by which I mean on my computer in my bedroom” – back in 2010 to successfully woo the songwriter.Silver & Navid | If you thought the heat between these two lifelong friends would fizzle over the holiday hiatus, you thought wrong.Canadian singer-songwriter Kyle Riabko earned raves off-Broadway in 2013 and then at the Menier Chocolate Factory this past summer with What’s It All About? It became a more emotional journey, so this different title felt right., his smart, hip reimagining of the back catalog of Burt Bacharach. How do you feel about the long journey of the show to the West End? Even at the very early days of working with Burt on this, he would always say, “You gotta get to London” because, as he puts it, they really discovered him here before they did in the States.